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Francis Bacon's Portrait of Henrietta Moraes could top $10 million in Oct. 19 auction PDF Print E-mail
Written by Auction Central News Staff   
Thursday, 02 October 2008 10:09
Portrait of Henrietta Moraes by Francis Bacon, to be auctioned Oct. 19 at Christie’s London. Image courtesy of Christie’s Images Ltd. 2008.

LONDON - Christie's will offer Francis Bacon's Portrait of Henrietta Moraes at the Post-War and Contemporary Art Evening Sale on Oct. 19 in London. An intimate painting that offers a fascinating insight into the characters who shaped the thriving bohemian scene of London's Soho district in the 1960s, the work is expected to realize $9.7 million to $13.3 million. The painting was acquired by the Hon. Garech Browne in 1970; he was a close personal friend of Francis Bacon's, as well as many of the other leading figures of the time, including Lucian Freud, the poet Dom Moraes and the sitter, Henrietta Moraes. Garech Browne's romantic home in the Wicklow mountains, Luggala, has been a creative center of Irish culture for the last 50 years, and was described recently by U2's Bono as "our epicenter" and "our inspiration."

Pilar Ordovas, Head of Post-War and Contemporary Art, Christie's London, commented: "This portrait of Henrietta Moraes is a wonderful painting which offers a fascinating insight into life and the characters of 1960s Soho.  The painting was bought by Garech Browne in 1970, shortly after it was painted, and has remained in his care since.  Garech Browne's influence on British and Irish culture in the last 50 years, combined with both the artist and the sitter of this work being close friends of his, makes it a wonderfully appealing painting which is sure to attract the interest of international collectors and institutions."

The Hon. Garech Browne remarked: "I remember well my years in Soho, even sometimes with my younger brother Tara, who inspired the Beatles song A Day in the Life. We often went to the Gaston Berlemont's French pub, officially called the York Minster, and had lunch with Francis, my first cousin Caroline Blackwood (then Caroline Freud) and Lucian in Wheelers restaurant, with my mother. We would then proceed to the Colony Club where the proprietress Muriel Belcher, one of the three known women Bacon ever painted, told me I was the only "member" ever allowed in under the age of 12. Later, Lucian would take me to the Gargoyle Club where Johnny Minton, Francis Bacon and Stephen Spender were often to be found. I would not be allowed in by the bouncers, so Lucian would put me under his long overcoat and I walked on his feet to gain entry. It was only the doorman, and not the proprietors, who felt that I should not be allowed in to meet such "disreputable people" at such a young age. Many of the inmates were to be painted by both Francis and Lucian."

Henrietta Moraes was an integral character in Soho in the 1950s and 1960s, and she played a major part in making the scene so legendary. She was a great friend and drinking partner of artists, writers, musicians and poets, and she befriended Francis Bacon in the early 1950s before he had found fame. In the 1960s, Bacon turned to painting portraits of the people around him. He would ask John Deakin to take photographs of his proposed subjects, and then paint from the photographs themselves, ensuring that the presence of the sitter could not merge their appearance with the character and emotions which the artist wished to portray in them. The present work was painted in 1969; it is a profoundly personal portrait of one of the artist's greatest friends, and a searing, universal exploration of the human condition, and of the battle that is life itself.

The portrait was acquired by the Hon. Garech Browne in 1970 in London, and inscribed by the sitter on the reverse of the canvas. The inscription reads: For the first time A vision of me by my friend Francis Bacon with Gareth [sic] at Luggala 30-6-76&7 I love y 2 good heavens Henrietta Moraes. It has been exhibited at the Hugh Lane Municipal Gallery of Modern Art in Dublin in conjunction with the opening of the Bacon studio in its new permanent home; The Scottish National Gallery of Modern Art in Edinburgh; and the Kunsthalle in Hamburg. It will be on public view in London for the first time from Oct. 15 to 19 at Christie's South Kensington.

Garech Browne was born into the Guinness dynasty, his mother being Oonagh Guinness, the youngest of the three "Golden Guinness Girls." In 1937, Ernest Guinness gave his daughter Oonagh the Luggala Estate as a wedding present, and it fast became the gathering place for the Irish intelligentsia, as well as for artists and musicians from around the world. Garech Browne was first introduced to Lucian Freud at the age of 12, and he soon built friendships with many of the artists, musicians and poets of both London and Ireland, as Luggala continued to thrive as a creative center for Irish culture. Garech Browne founded Claddagh Records and oversaw the founding of Irish group The Chieftains. He recorded traditional Irish music, as well as the works of Seamus Heaney, Ted Hughes and Robert Graves. John Boorman chose Luggala as the setting for the film Excalibur, and the house has hosted a diverse range of artistic guests including Mick Jagger, John Hurt, Patrick Kavanagh and Lucian Freud.

The Oct. 19 auction will take place at the newly refurbished salerooms at Christie's, 8 King Street, St. James's, London. For additional information, log on to www.christies.com

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Last Updated on Thursday, 02 October 2008 11:14
 




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