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Grandma Moses painting could make history at Brunk Auction Nov. 14 PDF Print E-mail
Written by Auciton House PR   
Thursday, 29 October 2009 13:04
The original price of Grandma Moses' painting titled ‘Grandmother's House We Go' was $50. The 19 1/8-inch by 23 1/8-inch scene has a $60,000-$90,000 estimate. Image courtesy of Brunk Auctions.ASHEVILLE, N.C. - Attention history lovers: Brunk Auctions is offering a one-day survey of America from the 18th to the 20th century on Nov. 14. It comes in the form of an auction. LiveAuctioneers.com will provide Internet live bidding.

In terms of record-setting potential, few items in the sale compare to Grandmother's House We Go by self-taught artist Grandma Moses (Anna Mary Robertson Moses, New York and Virginia, 1860-1961). Her 1940 painting depicts a family in a horse-drawn sleigh crossing a bridge over a frozen stream with ice skaters in the foreground and a snow-covered valley in the distance. Grandmother's cottage with smoke billowing from the chimney lies ahead on the right. The painting is inscribed front middle and verso. The 19 1/8-inch by 23 1/8-inch oil with mica flakes on Masonite in a hand-carved wood frame has been in the consignor's family for the past 50 years.

A label verso shows a price of $50 for Grandmother's House We Go. Grandma Moses may have entered the painting in a local competition for prize money in 1940. She was then 80 years old. The painting predates her first exhibition at the Galerie St. Etienne in New York City.

"There is a genuine charm and honesty to the work of Grandma Moses," said Andrew Brunk at Brunk Auctions. "She captured rural America as we wanted it remembered."

Grandmother's House is conservatively estimated at $60,000-$90,000. A 1950 Grandma Moses summer scene Country Fair sold in May 2009 at Sotheby's New York, for $1,082,500. The painting consigned to Brunk, once part of the personal collection of artist Leon Salter, is no. 24 in the 1973 Grandma Moses catalog raisonné by Hildegard Bachert and Otto Kallir.

George Washington dominated the War of Independence and he rules the central portion of Brunk's November sale. The 29 Washington lots range from a bust and political banner to portraits and a lock of the first president's hair, estimated at $400-$800. The most notable is a signed and dated letter from Washington to Sam Hodgdon of Philadelphia, dated, "Mount Vernon Decr. 29th. 83." In the letter Washington requested compensation for the late arrival of a stagecoach bringing important papers to his home. The 9-inch by 15 3/4-inch handwritten letter on laid paper is estimated at $10,000-$20,000.

Also Washington-related is a pine traveling desk dated 1812 for the Washington Benevolent Society, a fraternity that operated secretly in support of the Federalists (estimate $8,000-$10,000). The desk includes an engraved portrait of George Washington inside the lid. The desk and Hodgdon letter come from the estate of the late William and Priscilla Carlebach of Mystic, Conn. and Bedford, N.Y.

From this same historical period is the autograph of Benjamin Franklin to a document pertaining to Peter Stephen du Poncheau. Franklin signed the notary public certificate as president of the Supreme Executive Council of the Commonwealth of Pennsylvania (estimate $3,000-$6,000).

Charles Willson Peale (1741-1829) painted portraits of America's founders, among them George Washington, Thomas Jefferson and John Hancock. The Peale painting in Brunk's November sale is more personal. The half portrait of Edward Burd (1751-1853) was painted for Peale's daughter-in-law, who was Burd's niece. The circa 1820 oil on canvas, once listed as "unlocated," descended in the families of Rubens Peale and Anthony Morris (estimate $40,000-$60,000).

Items from the Civil War focus on our 16th president: a portrait of Abraham Lincoln by G.V. Cooper, circa 1865 (estimate $12,000-$16,000) and a Lincoln-signed presidential appointment from 1862 (estimate $3,000-$5,000).

Tiffany Studios was a leader in American decorative arts at the turn of the 20th century. Among the company's elegant creations was a six-socket floor lamp on a circular cushion base with a serpentine band of acorns around the a glass domed shade. The acorn lamp in the sale is estimated at $30,000-$50,000. Also from Tiffany Studios is a 22 3/4-inch-diameter dogwood stained glass shade (estimate $20,000-$30,000). Two Tiffany Favrile lots, a vase with pink nasturtiums and a lava vase, both carry $8,000-$15,000 estimates.

For details, visit www.brunkauctions.com or call 828-254-6846.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet during the sale at www.LiveAuctioneers.com.

Click here to view Brunk Auctions' complete catalog.


ADDITIONAL LOTS OF NOTE
From serpentine finial to cushion base this Tiffany Acorn floor lamp measures 77 1/2 inches. Its shade, marked ‘Tiffany Studios New York,' measures 24 inches. It carries a $30,000-$50,000 estimate. Image courtesy of Brunk Auctions.
This portrait of Edward Burd (1751-1833) is fresh to the market since it returned to the Morris family of Philadelphia in 1937. The 28 1/2-inch by 23 1/4-inch oil on canvas by American portraitist Charles Willson Peale is estimated at $40,000-$60,000. Image courtesy of Brunk Auctions.
The date of 1812 hints that this traveling desk for the Washington Benevolent Society was made in Massachusetts, the year the pro-Federalist fraternal organization established a chapter there. The lid is actually the side of the box (9 3/4 inches by 21 3/4 inches by 11 inches); the top does not open upward, thus concealing the contents. Image courtesy of Brunk Auctions.
George Washington's letter expressing 'considerable inconvenience' over the late delivery of packages is dated Dec. 29, 1783. In a modern presentation box, the letter is expected to bring $10,000-$20,000. Image courtesy of Brunk Auctions.
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Last Updated on Monday, 02 November 2009 14:22
 


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